The film ("Urban Details" in the two-part version) satisfied the accumulated burning curiosity of the population not only about the legendary opulence and privileges of the late Soviet celestials, covered with mystery - pathetic by today's concepts, but also about how they have there in general and in this sense, too. The plot looks fantastic - where it is seen that such a Twice Hero with a monument, as it should, to himself in his homeland, and with such a simple people, and immediately get married - but there was no other way to reveal the topic to the writers.
A sign of time - justifying the expectations of the audience a large number of scenes with a variety of ways to nail the highest Soviet authorities, who were within reach, the young wife remained unforgiven for principle reasons, to the wall of popular contempt. The film is decorated with a Galich song (a laconic masterpiece about the specifics of the optimal life strategy in the domestic socio-cultural space) about the silent bosses under the scorching stare of her young guitar performer.
In such a film, the signature acting talent of People's Artist Vyacheslav Tikhonov for a long time meaningfully silent in the frame, perfected still in the image of Stirlitz.
